课堂示范
BAKELITE
The birth of modern plastics
In 1907, Leo Hendrick Baekeland, a Belgian scientist working in New York, discovered and patented a revolutionary new synthetic material. His invention, which he named 'Bakelite', was of enormous technological importance, and effectively launched the modern plastics industry.
The term 'plastic' comes from the Greek plassein, meaning 'to mould'. Some plastics are derived from natural sources, some are semi-synthetic (the result of chemical action on a natural substance), and some are entirely synthetic, that is, chemically engineered from the constituents of coal or oil. Some are 'thermoplastic', which means that, like candle wax, they melt when heated and can then be reshaped. Others are 'thermosetting': like eggs, they cannot revert to their original viscous state, and their shape is thus fixed for ever. Bakelite had the distinction of being the first totally synthetic thermosetting plastic.
The history of today's plastics begins with the discovery of a series of semi-synthetic thermoplastic materials in the mid-nineteenth century. The impetus behind the development of these early plastics was generated by a number of factors - immense technological progress in the domain of chemistry, coupled with wider cultural changes, and the pragmatic need to find acceptable substitutes for dwindling supplies of 'luxury' materials such as tortoiseshell and ivory.
Baekeland's interest in plastics began in 1885 when, as a young chemistry student in Belgium, he embarked on research into phenolic resins, the group of sticky substances produced when phenol (carbolic acid) combines with an aldehyde (a volatile fluid similar to alcohol). He soon abandoned the subject, however, only returning to it some years later. By 1905 he was a wealthy New Yorker, having recently made his fortune with the invention of a new photographic paper. While Baekeland had been busily amassing dollars, some advances had been made in the development of plastics. The years 1899 and 1900 had seen the patenting of the first semi-synthetic thermosetting material that could be manufactured on an industrial scale. In purely scientific terms, Baekeland's major contribution to the field is not so much the actual discovery of the material to which he gave his name, but rather the method by which a reaction between phenol and formaldehyde could be controlled, thus making possible its preparation on a commercial basis. On 13 July 1907, Baekeland took out his famous patent describing this preparation, the essential features of which are still in use today.
The original patent outlined a three-stage process, in which phenol and formaldehyde (from wood or coal) were initially combined under vacuum inside a large egg-shaped kettle. The result was a resin known as Novalak, which became soluble and malleable when heated. The resin was allowed to cool in shallow trays until it hardened, and then broken up and ground into powder. Other substances were then introduced: including fillers, such as woodflour, asbestos or cotton, which increase strength and moisture resistance, catalysts (substances to speed up the reaction between two chemicals without joining to either) and hexa, a compound of ammonia and formaldehyde which supplied the additional formaldehyde necessary to form a thermosetting resin. This resin was then left to cool and harden, and ground up a second time. The resulting granular powder was raw Bakelite, ready to be made into a vast range of manufactured objects. In the last stage, the heated Bakelite was poured into a hollow mould of the required shape and subjected to extreme heat and pressure, thereby 'setting' its form for life.
The design of Bakelite objects, everything from earrings to television sets, was governed to a large extent by the technical requirements of the moulding process. The object could not be designed so that it was locked into the mould and therefore difficult to extract. A common general rule was that objects should taper towards the deepest part of the mould, and if necessary the product was moulded in separate pieces. Moulds had to be carefully designed so that the molten Bakelite would flow evenly and completely into the mould. Sharp corners proved impractical and were thus avoided, giving rise to the smooth, 'streamlined' style popular in the 1930s. The thickness of the walls of the mould was also crucial: thick walls took longer to cool and harden, a factor which had to be considered by the designer in order to make the most efficient use of machines.
Baekeland's invention, although treated with disdain in its early years, went on to enjoy an unparalleled popularity which lasted throughout the first half of the twentieth century. It became the wonder product of the new world of industrial expansion - 'the material of a thousand uses'. Being both non-porous and heat-resistant, Bakelite kitchen goods were promoted as being germ-free and sterilisable. Electrical manufacturers seized on its insulating properties, and consumers everywhere relished its dazzling array of shades, delighted that they were now, at last, no longer restricted to the wood tones and drab browns of the pre-plastic era. It then fell from favour again during the 1950s, and was despised and destroyed in vast quantities. Recently, however, it has been experiencing something of a renaissance, with renewed demand for original Bakelite objects in the collectors' marketplace, and museums, societies and dedicated individuals once again appreciating the style and originality of this innovative material.
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Some plastics behave in a similar way to 1 in that they melt under heat and can be moulded into new forms. Bakelite was unique because it was the first material to be both entirely 2 in origin, and thermosetting.
There were several reasons for the research into plastics in the nineteenth century, among them the great advances that had been made in the field of 3 and the search for alternatives to natural resources like ivory.
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The Production of Bakelite
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课堂练习 1
The Development of Plastics
The first plastics were developed as a substitute for natural rubber. Chemically, rubber is a polymer—a compound containing large molecules that are formed by the bonding of many smaller, simpler units, repeated over and over again. The same bonding principle—polymerization—is the basis of the creation of a huge range of plastics by the chemical industry.
The first plastic was developed as a result of a competition in the USA. In the 1860s, $10,000 was offered to anybody who could replace ivory—supplies of which were declining—with something equally good as a material for making billiard balls. The prize was won by John Wesley Hyatt, with a material called celluloid. Celluloid was made by dissolving cellulose, a carbohydrate obtained from plants, in a solution of camphor dissolved in ethanol. This new material rapidly found other applications in the manufacture of everyday products such as knife handles and detachable collars and cuffs. But perhaps the best-known celluloid product was photographic film, without which the film industry could never have taken off at the end of the 19th century.
Celluloid can be repeatedly softened and reshaped by heat, and is known as a thermoplastic. In 1907, Leo Baekeland (1863–1944), a Belgian chemist working in the USA, invented a different kind of plastic by causing phenol and formaldehyde to react together. Baekeland called it Bakelite, and it was the first of the thermosets—plastics that can be cast and moulded while hot, but cannot be softened by heat and reshaped once they have set. Bakelite was a good insulator, and was resistant to water and acid. With these properties it was soon being used in the manufacture of electrical switches as well as a variety of domestic items.
As the century went on, the range of newly developed plastics increased. Chemists began looking for other small molecules that could be strung together to make polymers. In the 1930s, chemists in Britain discovered that the gas ethylene would polymerize under heat and pressure to form a thermoplastic they called polythene. Polypropylene followed in the 1950s. Both are used to make bottles, pipes and plastic bags. A small change in the starting material—replacing a hydrogen atom in ethylene with a chlorine atom—produced rigid PVC (polyvinyl chloride), a fireproof plastic suitable for drains and gutters. By adding certain chemicals, a soft form of PVC can be produced, suitable as a substitute for rubber in items such as waterproof clothing. A closely related plastic is Teflon or PTFE (polytetrafluoroethylene). It produces very little friction, making it ideal for products such as non-stick frying pans.
Polystyrene, a hard, clear material like glass, was developed during the 1930s in Germany, and its applications included food containers and toys. Expanded polystyrene is rigid and is widely used in packaging and insulation. Polyurethane, developed in the same country, was commonly produced as a foam, which was very useful in the production of insulating materials.
In the 1930s, the first of the man-made fibres was created—nylon. Its inventor was a chemist called Wallace Carothers (1896–1937), who worked for the Du Pont company in the USA. He found that under the right conditions two particular chemicals would form a polymer that could be pumped out through holes and then stretched to form long glossy threads that could be woven like silk. Its first use was to make parachutes for the US armed forces in World War II. In the postwar years, it completely replaced silk in the manufacture of stockings.
Many other synthetic fibres joined nylon, including Orlon, Acrilan, and Terylene. Today most garments are made of a blend of natural fibres, such as cotton and wool, and man-made fibres that make fabrics easier to look after.
Despite its enormous usefulness, plastic has its drawbacks. In fact, one of its great strengths—its indestructibility—is its greatest disadvantage. Beaches all over the world, even on the remotest island, are littered with plastic bottles that nothing can destroy. Nor is it very easy to recycle plastics, as different types of plastic are often found in the same items and call for different treatments.
Plastics can be made biodegradable by incorporating into their structure a material such as starch, which is attacked by bacteria and causes the plastic to fall apart. Other materials can be incorporated that gradually decay in sunlight—although bottles made of such materials have to be stored in the dark, to ensure they do not disintegrate before they have been used.
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Early types of plastic
| Name | Date | Country | Properties | Common uses |
|---|---|---|---|---|
| Celluloid | 1860s | USA | can be softened and reshaped by heat | • billiard balls (original use) • cutlery • clothing • 1 |
| 2 | 1907 | USA | can't be softened after setting; good insulator; resistant to water and acid | • 3 • household objects |
| Polythene | 1930s | 4 | can be softened and reshaped by heat | • bottles • pipes • plastic bags |
| Polypropylene | 1950s | • bottles • pipes • plastic bags | ||
| Rigid PVC | is 5 | • external piping | ||
| Soft PVC | • outdoor clothing | |||
| Polystyrene | 1930s | Germany | resembles 6 | • food containers • toys |
| Polyurethane | Germany | usually manufactured as a 7 | • insulation |
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课堂练习 2
Fishbourne Roman Palace
Fishbourne Roman Palace is in the village of Fishbourne in West Sussex, England. This large palace was built in the 1st century AD, around thirty years after the Roman conquest of Britain, on the site of Roman army grain stores that had been established after the invasion during the reign of the Roman Emperor Claudius in 43 AD. The rectangular palace was built around formal gardens, the northern half of which has been reconstructed. There were extensive alterations in the 2nd and 3rd centuries AD, with many of the original black-and-white mosaic floors being overlaid with more sophisticated coloured ones, including a perfectly preserved mosaic of a dolphin in the north wing. More alterations were in progress when the palace burnt down in around 270 AD, after which it was abandoned.
Local people had long believed that a Roman palace once existed in the area. However, it was not until 1960 that the archaeologist Barry Cunliffe of Oxford University first systematically excavated the site, after workmen had accidentally uncovered a wall while they were laying a water main. The Roman villa excavated by Cunliffe's team was so grand that it became known as Fishbourne Roman Palace, and a museum was erected to preserve some of the remains. This is administered by the Sussex Archaeological Society.
In its day, the completed palace would have comprised four large wings with colonnaded fronts. The north and east wings consisted of suites of private rooms built around courtyards, with a monumental entrance in the middle of the east wing. In the north-east corner there was an assembly hall. The west wing contained state rooms, a large ceremonial reception room and a gallery. The south wing contained the owner's private apartments. The palace included as many as fifty mosaic floors, under-floor central heating and a bathhouse. In size, Fishbourne Palace would have been approximately equivalent to some of the great Roman palaces of Italy, and was by far the largest known Roman residence north of the European Alps, at about 500 feet (150 m) square. A team of volunteers and professional archaeologists is involved in an ongoing archaeological excavation on the site of nearby, possibly military, buildings.
The first buildings to be erected on the site were constructed in the early part of the conquest in 43 AD. Later, two timber buildings were constructed, one with clay-and-mortar floors and plaster walls, which appears to have been a house of some comfort. These buildings were demolished in the 60s AD and replaced by a substantial stone house, which included colonnades and a bath suite. It has been suggested that the palace itself, incorporating the previous house in its south-east corner, was constructed around 73-75 AD. However, Dr Miles Russell of Bournemouth University re-interpreted the ground plan and the collection of objects found, and has suggested that, given the extremely close parallels with the imperial palace of Domitian in Rome, its construction may more plausibly date to after 92 AD.
With regard to who lived in Fishbourne Palace, there are a number of theories. For example, one proposed by Professor Cunliffe is that, in its early phase, the palace was the residence of Tiberius Claudius Cogidubnus, a local chieftain who supported the Romans and who may have been installed as king of a number of territories following the first stage of the conquest. Cogidubnus is known from a reference to his loyalty in Agricola, a work by the Roman writer Tacitus, and from an inscription commemorating a temple dedicated to the gods Neptune and Minerva found in the nearby city of Chichester. Another theory is that it was built for Sallustius Lucullus, a Roman governor of Britain in the late 1st century, who may have been the son of the British prince Adminius. Two inscriptions recording the presence of Lucullus have been found in Chichester, and the redating by Miles Russell suggests that, if the palace was designed for Lucullus, then it may have been in use for only a few years, as the Roman historian Suetonius records that Lucullus was executed by the Emperor Domitian in or shortly after 93 AD.
Additional theories suggest that either Verica, a British king of the Roman Empire in the years preceding the Claudian invasion, was the owner of the palace, or Tiberius Claudius Catuarus, following the recent discovery of a gold ring belonging to him. The palace outlasted the original owner, whoever he was, and was extensively re-planned early in the 2nd century AD and subdivided into a series of smaller apartments. Further redevelopment was begun in the late 3rd century AD, but these alterations were incomplete when the north wing was destroyed in a fire in around 270 AD. The damage was too great to repair, and the palace was abandoned and later dismantled.
A modern museum has been built by the Sussex Archaeological Society, incorporating most of the visible remains, including one wing of the palace. The gardens have been replanted using authentic plants from the Roman period.
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Fishbourne Palace
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课后练习 1
New Understanding of Giraffes in the Wild
Even as the tallest animals on Earth, giraffes can be easy to overlook. Despite being a favorite in zoos, until recently almost nobody studied giraffes in the wild. 'When I first became interested in giraffes in 2008 and started looking through the scientific literature, I was really surprised to see how little had been done,' said Megan Strauss, an animal researcher at the University of Minnesota, USA. All that is changing fast, as a growing number of researchers seek to understand the biology and complex behavior of this graceful giant in its native habitat.
Giraffes, found throughout sub-Saharan Africa, are currently classified as a single species with up to nine varieties that differ by features like head shape and whether the fur on their legs is plain or patterned. The giraffe is listed as endangered, but researchers point to evidence that in the past 15 years, the population has fallen some 40 percent.
Recent studies have allowed researchers new insights into giraffes' social structure. Groups of female giraffes, for example, have been found to form close friendships that can last for years. 'We're just at the beginnings of trying to understand this kind of behavior,' Dr Strauss said. Female giraffes can live 20 years or more, and it makes sense they might rely on each other for clues to the best feeding grounds, help with taking care of their young, or the reduction of stress, by staying in groups.
Mother giraffes have displayed signs of grief after losing their young, known as calves, to lions. Dr Strauss described one case in which a mother spent four days at the place where a lion had eaten her calf, refusing food, and often in the company of two other adult females. Giraffe calves are extremely vulnerable to predators, and though mothers will fight valiantly to keep their young alive — kicking forward and backward — half of all calves are killed in their first year of life.
Male giraffes, known as bulls, generally become more important with age, and older bulls display that dominance physically and behaviorally: as their neck muscles grow, the male's posture becomes prouder and more vertical. Recent observations show young bulls, when left on their own, mimicking their elders: head held high and neck puffed out. But should a dominant older bull come into view, the younger males instantly try to make themselves look small and innocent.
The younger bulls have reason to fear their elders. Clashes have been witnessed between adults when each bull repeatedly 'necks' the other, using his massive neck to slam his head against his rival. One bull somehow survived with a broken neck.
The skin of a giraffe is mostly gray. The coat has dark patches separated by light hair, which serves as camouflage, allowing them to blend in with the light and shade patterns of the acacia trees from which they feed. Grazing giraffes are hard to see even a few meters away.
Research indicates that giraffes also have excellent sight, can see in color and over great distances, which helps them to spot lions and keep track of each other. In addition, a giraffe's extraordinary mouth has lips and tongue that can together grasp a branch and then pluck away the leaves while avoiding thorns, almost as humans would grab with their hands. Each day, a giraffe consumes about 30 kilograms of leaves, shoots and vines, all digested in its four-chambered stomach.
A giraffe can stand more than six meters tall, with its neck accounting for roughly a third of its height and its legs the same. The giraffe's long neck is due to the length of the vertebrae, not the number of vertebrae. The growth of the neck largely takes place during early childhood, as giraffe mothers would have a difficult time giving birth to young with longer necks. The giraffe's head and neck are held up by large muscles attached to the lower spine.
Recent studies show that the greatest challenge to a giraffe's cardiovascular system is how to both pump blood very high and retrieve it from far below. The outside of a giraffe's veins are extremely thick, to prevent blood leaking into surrounding tissue. Other adaptations in the cardiovascular system allow the giraffe to bend over for a drink of water, and then raise its head again quickly without fainting.
Researchers were also surprised to find that a giraffe does not have an unusually large heart. It is half a percent of body mass, the same as in a mouse. Moreover, the amount of blood pumped into circulation is modest, proportionally lower than it is in humans. That could help explain why giraffes rarely run for very long: enough oxygen cannot be delivered to their muscles fast enough for them to keep running. Or maybe the giraffes are worried about tripping over their own feet. This is because signals from the nerves travel at about the same speed in giraffes as in rats or other mammals. Given the greater distance they have to travel in the giraffe to reach the brain, it is possible the giraffe faces real challenges in reacting quickly to a rock beneath its hoof or a bite to its ankle.
New understanding of this wonderful animal sheds light on both its physiology and its behavior. Researchers hope to use this knowledge to increase their ability to work with preservation, as its habitat is reduced and the giraffe becomes scarcer.
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Giraffes: body structure
| Physical features | Study findings |
|---|---|
| Skin/coat | provides 8 when standing near trees |
| Eyes | allow them to look out for lions |
| Mouth | can be used like 9 to get leaves |
| Neck | about equal in length to the legs |
| length develops in childhood to provide an easier 10 for mothers | |
| Cardiovascular system | extra-strong 11 keep blood from spilling into other tissues |
| 12 | normal size for such a large animal |
| Nerves | slower reaction time because 13 need to go farther to the brain |
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课后练习 2
The History of the Pencil
The history of the pencil starts with a violent thunderstorm. When some particularly ferocious weather struck the Lake District in North West England in the sixteenth century, locals in the village of Borrowdale discovered a large uprooted tree. Underneath the tree lay an unknown black substance which we now know as graphite, was slightly shiny and smooth to the touch. And it left a black smear on the hands of all who touched it.
Initially, the local farmers used the newly discovered material as a handy way to identify their sheep. However, others quickly realised the potential for using this intriguing substance to write on paper. When it was untreated the material was very soft, which meant that it was messy to handle. To make it fit for use with paper, people enclosed a thin core of the substance in stiff sheep hides or rope. At this time chemistry was still in its infancy. People searched for a word to describe this increasingly useful substance and came up with plumbago which, in Latin, means acts or writes like lead. Later the name was changed to graphite. But because words have remarkable staying power, we still call graphite the lead of a pencil even though it is now known that there is no trace of real lead in graphite.
Graphite has a very high melting point at around 3,500 degrees Celsius. This made it invaluable to the British army and navy as a secret ingredient in the manufacture of cannon balls. The Royal Ordnance, or weaponry section of the British armed forces, used graphite as a lining inside the moulds for cannon balls, which, as a result, the British could turn out faster and more cheaply than their European rivals. In addition to its value to the armed forces, the government quickly realised the commercial potential of the graphite at Borrowdale, and assumed control of all the mines there during the sixteenth century. Armed guards accompanied the precious graphite all the way down to the metal foundries by the naval shipyards in the south of England. The graphite was so valuable that the locals, who called it wad, started to steal it. As a deterrent, an act of Parliament in 1752 made this offence punishable by time in prison.
The Italians originally invented the wooden casing to hold a thin rod of plumbago firmly in place for ease of writing. Italian craftsmen hollowed out two small sections of cedar wood, into one of which they laid the lead. They then glued the other section over the top and left the two halves to set. When dry, the whole apparatus formed what today we know as a pencil. The Germans took this technique and developed it further by applying mass-production techniques to pencils. At the same time Nicolas-Jacques Conté, a French officer in Napoleon Bonaparte's army during the late 1700s, developed a method of mixing powdered graphite and clay together for firing in a kiln. Adding more clay to the mixture helped make the pencil harder, sharper, and more precise in its mark. More graphite helped make a pencil mark that was softer, thicker and darker.
The varying quality of pencil leads eventually gave rise to a system for categorizing the fineness of the pencil mark. Pencil manufacturers all over the world still use this so-called HB grading system today. The H stands for the Hardness of the pencil while the B stands for its Blackness. An HB pencil is a standard pencil and a variety of letters and numbers are used to designate different types of lead.
Significant seams of graphite exist in parts of China, which now produces most of the world's pencils. Interestingly, the Borrowdale mine in the Lake District remains the only significant source of graphite in its near-pure form in the world. Nowadays the highest grade of graphite at Borrowdale is totally exhausted, although other grades can still be found, and England's pencil industry continues to thrive in the nearby town of Keswick.
The pencil has turned out to be a remarkably resilient and valuable tool whose use has survived well into our high-tech times, as a well-known story shows. It is sometimes said that the American space programme spent millions of dollars to invent a pen capable of writing in the zero gravity of space. The Russians, by contrast, simply equipped their astronauts with good old-fashioned pencils that never let them down. It should be pointed out though, that the popular myth about Americans overlooking the practical advantages of pencils in zero gravity is merely fiction. In actual fact, both American and Russian astronauts were equipped with pencils in their respective countries' first space flights. A private company later developed pens for writing in zero gravity. In fact, astronauts of every nation now use pens. But no matter — pencils remain in use in every classroom, every planning, building and drawing office, and in every art studio in the world. And there is nothing to suggest that we are likely to invent anything better than graphite to use in our pencils.
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The early history of graphite in Britain
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参考答案
| 题号 | 答案 | 题型 |
|---|---|---|
| 1 | candle wax | Summary (ONE WORD) |
| 2 | synthetic | Summary (ONE WORD) |
| 3 | chemistry | Summary (ONE WORD) |
| 4 | Novalak | Flow-chart (ONE WORD) |
| 5 | fillers | Flow-chart (ONE WORD) |
| 6 | hexa | Flow-chart (ONE WORD) |
| 7 | raw | Flow-chart (ONE WORD) |
| 8 | pressure | Flow-chart (ONE WORD) |
| 题号 | 答案 | 题型 |
|---|---|---|
| 1 | photographic film | Table (NO MORE THAN THREE WORDS) |
| 2 | Bakelite | Table (NO MORE THAN THREE WORDS) |
| 3 | electrical switches | Table (NO MORE THAN THREE WORDS) |
| 4 | Britain | Table (NO MORE THAN THREE WORDS) |
| 5 | fireproof | Table (NO MORE THAN THREE WORDS) |
| 6 | glass | Table (NO MORE THAN THREE WORDS) |
| 7 | foam | Table (NO MORE THAN THREE WORDS) |
| 题号 | 答案 | 题型 |
|---|---|---|
| 7 | Roman army | Notes (NO MORE THAN TWO WORDS AND/OR A NUMBER) |
| 8 | formal gardens | Notes (NO MORE THAN TWO WORDS AND/OR A NUMBER) |
| 9 | mosaic floors | Notes (NO MORE THAN TWO WORDS AND/OR A NUMBER) |
| 10 | wall | Notes (NO MORE THAN TWO WORDS AND/OR A NUMBER) |
| 11 | 93 | Notes (NO MORE THAN TWO WORDS AND/OR A NUMBER) |
| 12 | ring | Notes (NO MORE THAN TWO WORDS AND/OR A NUMBER) |
| 13 | museum | Notes (NO MORE THAN TWO WORDS AND/OR A NUMBER) |
| 题号 | 答案 | 题型 |
|---|---|---|
| 8 | camouflage | Table (ONE WORD) |
| 9 | hands | Table (ONE WORD) |
| 10 | birth | Table (ONE WORD) |
| 11 | veins | Table (ONE WORD) |
| 12 | heart | Table (ONE WORD) |
| 13 | signals | Table (ONE WORD) |
| 题号 | 答案 | 题型 |
|---|---|---|
| 1 | tree | Notes (ONE WORD) |
| 2 | sheep | Notes (ONE WORD) |
| 3 | soft | Notes (ONE WORD) |
| 4 | rope | Notes (ONE WORD) |
| 5 | mines | Notes (ONE WORD) |
| 6 | steal | Notes (ONE WORD) |